出现在书名中的结果
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The Life and Death of Classical Music
In this compulsively readable, fascinating, and provocativeguide to classical music, Norman Lebrecht, one of the world’s most widely read cultural commentators tells the story of the rise of the classical recording industry from Caruso’s first notes to the heyday of Bernstein,Glenn Gould, Callas,and von Karajan. Lebrecht compellingly demonstrates that classical recording has reached its end point–but this is not simply an expos? of decline and fall. It is, for the first time, the full story of a minor art form, analyzing thecultural revolution wrought by Schnabel, Toscanini, Callas, Rattle, the Three Tenors, and Charlotte Church. It is the story of how stars were made and broken by the record business; how a war criminal conspired witha concentration-camp victim to create a record empire; and how advancing technology, boardroom wars, public credulity and unscrupulous exploitation shaped the musical backdrop to our modern lives. The book ends with a suitable shrine to classical recording: the author’s critical selection of the 100 most important recordings–and the 20 most appalling. Filled with memorable incidents and unforgettable personalities–from Goddard Lieberson, legendary head of CBS Masterworks who signed his letters as God; to Georg Solti, who turned the Chicago Symphony into “ the loudest symphony on earth”–this is at once the captivating story of the life and death of classical recording and an opinioned, insider’sguide to appreciating the genre, now and for years to come.
似水年华
1人今日阅读 推荐值 76.9%
本书选录的李欧梵散文，出自李欧梵的多种散文集，在相对集中的主题下，按不同的分类编为五辑。第一辑“似水年华”主要呈现李欧梵游学读书的经历，以及作者在海外多年的学术背景下对自己待过的大学的一些感想和历史人文思考。第二辑“常怀斯人”汇聚的是李欧梵教授对老师亲人同事朋友的回忆和追思。第三辑“文学之旅”是作者作为一名学者对世界文学以及一些作家的回顾和评论。第四辑“人文空间”体现的是作者对现代都市以及现代化建筑的观察和体验，第五辑“音乐往事”展示的则是作者对音乐、人文的欣赏和感悟，表达了作者极高的音乐修养。这五个方面都体现了作者对文化艺术有着自己独到而专业的认知，和对生活对自然对亲朋师长的热爱之情。全书表达了作者对生活、自然、艺术的热爱之情，他虽然是个学者，但是就写作水准与写作数量来说，李欧梵不遑多让，绝对可以算得上是一流作家作为学者的一生，李欧梵从1962年赴美求学至哈佛退休（2004年）的大半生历程，都是治学与写作的一生，此书乃他多年的写作精品的合集。
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